Ludlow Waites performers and instruments
June Emmerson
June is a teacher of creative arts and crafts. As musician she
studied baroque violin with Catherine Mackintosh and has performed with numerous ensembles
including the renaissance group Piva and Leeds Baroque Orchestra. June sings and plays violin,
rebec, bass viol, recorder, crumhorn, rauschpfeife and hurdy-gurdy and is the group’s
costumier.
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Steve Heavens
Steve is a scientist running a small technology company. As musician he has
also performed with Leeds Baroque Orchestra and Piva and directed his own early baroque group
Foscarina. Steve plays early guitar, viola da gamba, violone,
crumhorn, rauschpfeife and bagpipes and arranges much of the group’s music.
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Steve Blyton
Steve has had a varied career in music starting in Lincoln repertory theatre,
training in London, teaching music in Hertfordshire and Norfolk, and eventually
in Community Education service in Cambridgeshire, engaged in large projects involving
young people in East Anglia and encouraging rural communities with theatre and music
projects. He has sung with the BBC Symphony Chorus and
with chamber choirs in Cambridge. Steve plays harpsichord and is the group’s
principal narrator/singer and percussionist.
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Michael Sheehan
Mike started life as a boy chorister and has had a musical
career in the Army playing brass instruments and singing in England, Scotland, Belgium, France
and Germany. He now plays with numerous orchestras and bands in the West Midlands and sings
with Shrewsbury Abbey Choir. Mike plays curtal, bassoon, crumhorn and sackbut.
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Thelma
Williams
Thelma has spent her working life
incarcerated in Universities working mostly in medical research, including periods in Norway
and Papua New Guinea. For many years she was a member of the Musicians of
Clerkenwell playing Renaissance and Baroque music in concerts and recitals over the
north-west of England and is now a member of the Linton Consort. She plays recorder,
crumhorn, rauschpfeife, viol and cornamuse.
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Instruments
None of this would be possible without the skills of the instrument makers, who do not always get the
recognition they deserve. So here is a list of the hardware and where it comes from.
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